Gilman created a world that could be viewed from the feminist gaze. She focused on how women were not just stay-at-home mothers they were expected to be but also people who had dreams, who were able to travel and work just as men did, and whose goals included a society where women were just as important as men. In the early 1900s this was striking and revolutionary. The stories in this collection are: 'A Coincidence'; 'According To Solomon', 'An Offender', 'A Middle-Sized Artist', 'Martha's Mother', 'Her Housekeeper', 'When I Was A Witch', 'Making a Living', 'A Coincidence, The Cottagette', 'The Boys and the Butter', 'My Astonishing Dodo', and 'A Word In Season'.

In 1892, Charlotte Perkins Gilman published her landmark work, "The Yellow Wall-Paper," generating spirited debates in literary and political circles on both sides of the Atlantic. Today this story of a young wife and mother succumbing to madness is hailed both as a feminist classic and a key text in the American literary canon.
This sourcebook combines extracts from contemporary documents and critical reviews with incisive commentary, providing:
*an introduction to the political, biographical and medical contexts in which Gilman was writing
*a publishing and critical history of the work with extracts from the earliest reviews through to recent criticism
*a chronology of key biographical and contextual events
*an annotated guide to further reading
*original illustrations and photographs of the author and figures related to the story.
Filled with extensive commentary, as well as contextual and critical materials, this reprint of the complete original text-as published in the New England Magazine in 1892-constitutes an important critical edition.

In 1892, Charlotte Perkins Gilman published her landmark work, "The Yellow Wall-Paper," generating spirited debates in literary and political circles on both sides of the Atlantic. Today this story of a young wife and mother succumbing to madness is hailed both as a feminist classic and a key text in the American literary canon.
This sourcebook combines extracts from contemporary documents and critical reviews with incisive commentary, providing:
*an introduction to the political, biographical and medical contexts in which Gilman was writing
*a publishing and critical history of the work with extracts from the earliest reviews through to recent criticism
*a chronology of key biographical and contextual events
*an annotated guide to further reading
*original illustrations and photographs of the author and figures related to the story.
Filled with extensive commentary, as well as contextual and critical materials, this reprint of the complete original text-as published in the New England Magazine in 1892-constitutes an important critical edition.

The Victorian illustrated book came into being, flourished, and evolved during the nineteenth century. Catherine Golden offers a new framework for viewing the arc of this vibrant form and surveys the fluidity in styles of illustration in serial instalments, British and American periodicals, adult and children's literature, and - more recently - graphic novels. Golden examines widely recognized illustrated texts, such as The Pickwick Papers, Oliver Twist, Alice in Wonderland, and Peter Rabbit, and finds new expressions of this traditional genre in present-day graphic novel adaptations of the works of Austen, Dickens, and Trollope, as well as Neo-Victorian graphic novels like The League of Extraordinary Gentlemen. She explores the various factors that contributed to the early popularity of the illustrated book - the growth of commodity culture, a rise in literacy, new printing technologies - and how these ultimately created a mass market for new fiction. While existing scholarship on Victorian illustrators largely centres on the Household Edition of Dickens or the realist artists of the "Sixties", notably Fred Barnard and John Tenniel, this volume examines the lifetime of the Victorian illustrated book. It also discusses how a particular canon has been refashioned and repurposed for new generations of readers.

For Victorian women, danger lurked between the covers of a book. In an exploration of this notion, Catherine Golden examines women and reading in literary and visual representations in Britain and America, aiming to bring to life the world of the 19th- and early 20th century female reader.

The Victorian illustrated book came into being, flourished, and evolved during the nineteenth century. Catherine Golden offers a new framework for viewing the arc of this vibrant form and surveys the fluidity in styles of illustration in serial instalments, British and American periodicals, adult and children's literature, and - more recently - graphic novels. Golden examines widely recognized illustrated texts, such as The Pickwick Papers, Oliver Twist, Alice in Wonderland, and Peter Rabbit, and finds new expressions of this traditional genre in present-day graphic novel adaptations of the works of Austen, Dickens, and Trollope, as well as Neo-Victorian graphic novels like The League of Extraordinary Gentlemen. She explores the various factors that contributed to the early popularity of the illustrated book - the growth of commodity culture, a rise in literacy, new printing technologies - and how these ultimately created a mass market for new fiction. While existing scholarship on Victorian illustrators largely centres on the Household Edition of Dickens or the realist artists of the "Sixties", notably Fred Barnard and John Tenniel, this volume examines the lifetime of the Victorian illustrated book. It also discusses how a particular canon has been refashioned and repurposed for new generations of readers.

A compelling critical investigation into Gilman's conception of setting and place. Charlotte Perkins Gilman and a Woman's Place in America is a pioneering collection that probes how depictions of space, confinement, and liberation establish both the difficulty and necessity of female empowerment. Turning Victorian notions of propriety and a woman's place on its ear, this finely crafted essay collection studies Gilman's writings and the manner in which they push back against societal norms and reject male-dominated confines of space. The contributors present fascinating and innovative readings of some of Gilman's most significant works. By examining the settings in ""The Yellow Wallpaper"" and Herland, for example, the volume analyzes Gilman's construction of place, her representations of male dominance and female subjugation, and her analysis of the rules and obligations that women feel in conforming to their assigned place: the home. Additionally, this volume delineates female resistance to this conformity. Contributors highlight how Gilman's narrators often choose resistance over obedient captivity, breaking free of the spaces imposed upon them in order to seek or create their own habitats. Through biographical interpretations of Gilman's work that focus on the author's own renouncement of her ""natural"" role of wife and mother, contributors trace her relocation to the American West in an attempt to appropriate the masculinized spaces of work and social organization. Engaging, well-researched, and deftly written, the essays in this collection will appeal to scholars of Gilman, literature, and gender issues alike.